Can Sau. Emergency scenery
Unparelld'arquitectes
Can Sau是位於奧洛特（Olot）舊城區內的一處住宅物業，如今在空地上看到空曠的地方並不稀奇。鑑於該建築的一半受到未來街道對齊的影響，因此將其拆除，留下一個以黨牆和麵向圖拉教堂的側面立面的四個階梯式扶梯為特徵的城市空地，該教堂專用於奧洛特的守護神。導致城市環境的特徵是廢棄地段，清晰度下降，毀容性和周圍街道景觀的破壞。
Can Sau was a residential property located within the old city centre of Olot, where nowadays it is not unusual to see vacant sites. Given that half of the building was affected by a future street alignment, it was demolished leaving an urban void characterised by a party wall and four stepped buttresses facing the side façade of the Tura church, dedicated to the patron saint of Olot. Resulting in an urban environment characterised by abandoned lots, loss of definition, disfigurement and the destruction of the surrounding streetscape.
受市議會委託為被拆除的場地提出新的路面處理方法後，並利用一項正在進行的合同為裸露的支撐提供防水金屬覆層，該項目進行了重新設計。
After being commissioned by the city council to come up with a new pavement treatment for the demolished site and taking advantage of an ongoing contract to provide waterproof metal cladding to the exposed buttresses, the project was reformulated.
垂直平面上的資源分配被認為是緊迫的問題，除了保證防水外，還可以使空間更具都市感。在像奧洛特（Olot）這樣的緊湊型城市中，街道立面塑造了城市環境並提供了其特色。
The allocation of resources to the vertical plane was considered a matter of urgency, and which apart from guaranteeing its waterproofing would lend the space a greater sense of urbanity. In a compact city like Olot the street façades shape the urban context and provide its character.
建造了一個使用空心磚的緊急事件現場，該結構完成了原始結構支撐的建議，並在背景牆上顯示了家庭活動的痕跡，並在派對牆上留下了烙印。
An emergency mise-en-scène employing hollow brick was constructed that completes what the raw structural buttresses suggested, revealing traces of domestic activity in the background with their imprint on the party wall.
一系列的三個拱頂和四個壁is被提供給公共空間，作為三維立面，通過鋪裝處理進一步定義。它是一個未完成的通用結構，可以適應各種情況。視覺藝術家Quim Domene在壁ches內進行了許多事後乾預，其元素寓意著鄰里的歷史。
A series of three vaults and four niches is offered to the public space as a three dimensional façade, further defined by the paving treatment. It is an unfinished and versatile structure which can be adapted to situations. The visual artist Quim Domene carried out a number of interventions a posteriori within the niches, with elements allegorical to the history of the neighbourhood.